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Thursday, April 11, 2013

How does Okara in "Piano and Drums" respond to the two types of different music and instruments?

In the poem Piano and Drums the narrator: Gabriel Okara, responds to the both types of music and instrument; Piano and drums differently. His response to the drums is that of excitement and callownessfulness, however, his response to the piano is of unfamiliarity. Okara shows his two different attitudes through his choice of diction, rhythm, metaphors and symbolism.

The choice of diction apply to chance upon the drums and piano creates a strong emphasis on the contrast of African and western market-gardenings. The first two stanzas slop of the mystic rhythm and excitement of the drums. The words used to describe the drums are violent and raw: bleeding flesh, fall and blood ripples. These words show the wildness and primitive culture of the African way. The names of wild animals show the danger of the clear(p) and the drums as a means of communication; drums telegraphing. The last decry of the first stanza; ... campaigners crouch with spear poised... Okara places himself as a hunter ready to hunt the leopard. This illustrates the license and youthfulness experienced by the hunters. They have the freedom to go out into the wild and hunt for survival and the hunters primal youth unleashes inside of them with the adrenaline of the trail and the fast pacing drums.

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The second stanza shows the narrators nostalgia and of how the drums bring back memories of his youth and past. Okara is on his mothers lap suckling. The familiarity of the drums brings him back to the past. The narrators feeling is roused the leafy vegetable leaves and wild flowers that grow out in the land. This again emphasizes the freedom and wildness; flowers growing and the trees thriving without the need for human aid and their ability to spread out freely with no boundaries. Okara shows that there...

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