To be hu homo is to be full of contradictions. In the fresh Crime and Punishment by Fyodor Dostoevsky, the relationship between a young man that commits a murder and his friends and family is explored. The characters that Dostoevsky creates are alter with beautiful contradictions that make them all the more human.
The main character, Raskolnikov, is Dostoevskys way for his exploration of duality in character. Raskol in Russian federal agency schism or split. This name gives an inside view to Raskolnikov. He is torn between a conscience that urges him to do well(p) and a cruelly rational side that pushes him to do evil. His conscience urges him to be generous and benevolent with those that are less rose-cheeked than he. At one point, Raskolnikov sees a young girl rummy on the street with a lecherous old man trailing behind her. Raskolnikov finds a nearby policeman and takes him to the scene. I saw myself watching her and following her, but I prevented him, and he is just waiting for me to go away...Think how can we keep her reveal of his hands, and how are we to get her home?...Here, said Raskolinikov, feeling in his pockets and finding twenty copecks, here, call a cab and regularise him to drive her to her address. (43).
Then after he thinks about it and his former(a)(a) side has a chance to rationalize, he regrets his actions. He [the policeman] has carried off my twenty copecks, Raskolnikov murmurs angrily when he is left alone. Well, permit him take as much from that other fellow to include him to have the girl and so will it end. And why did I want to interfere? Is it for me to help? Have I whatever right to help? Let them devour each other alive-what is it...
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