The problem of oriental womanhood stereotyped by western man is one of the central issues raised in the joke M. bray.
Its interesting, however, that this stereotype is still very much alive. In fact, its not a secret that Hollywood is often portraying Asiatic women as exotic, erotic, sensual and very sexual. These images not only complicate the situation, but also definitely help endorse already existing stereotypes.
In M. Butterfly Gallimard probably thinks he found that nonpareil Asian woman that lives up to all the characteristics of the stereotype he created in his mind. The phrase She eats out of my hand (6) fundamentally means that oriental woman must be unassertive and follow every little request of her Master. She [Butterfly] arrives with all her possessions in the folds of her sleeves, lays them all out, for her man to do with as he pleases. (10)
If Gallimards sporting lady were a western woman, he would not dare to involve the same level of submissiveness and, therefore, would not be able to deduct as much satisfaction from his affair as he did with Song. From the very beginning Gallimard was in love with his envisage, with the illusion, with the stereotype, but not with Song.
The problem with Gallimard illusion is that it becomes his tragedy.
The stereotype created by Gallimards illusions consumes him to the point of self-destruction. The modal value Gallimard slipped into self-destruction is by crossing the line of healthy fantasy into a world of false conceptions. The submissive oriental woman and the cruel white man, (17).
When we observe people as groups and number stereotypes, we are creating illusion in their simplest form. Such behavior endure be destructive for both the observer and those being surveyed.
In M. Butterfly there were times when Gallimard was totally absorbed in...
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